Sheffield Doc/Fest Podcast
Sheffield Doc/Fest is a world leading and the UK’s premier documentary festival, celebrating the art and business of documentary. We’re a hub for all documentary and factual content across all platforms, from feature length to shorts, and including interactive and virtual reality projects. The Festival comprises: - Film programme for the very best international screenings; - Alternate Realities for digital and interactive innovation; - Talks & Sessions to inspire, inform and debate; - Marketplace for international business. Every year, we’re proud to connect thousands of creatives in a nurturing environment, resulting in the discovery of new talent, new collaborations and new commissions for cinema, television and online. We aim to create a festival experience that is creatively inspiring and the place for pioneering and innovative ideas, projects and thinking. Sheffield Doc/Fest welcomes over 32,700 documentary makers and lovers each year, including 3,500 industry delegates from over 60 countries.
Brian Reed & Richard Miron in ConversationMay 10, 2019 43:20
Brian Reed (Host and co-creator of S-Town) and Richard Miron (Director/Producer of For the Birds) explore the real life mysteries and strange tales that inspired their work.
Chaired by Lyndon Saunders (University of Salford). This talk was part of the 2018 Doc/Fest Exchange: Head Space programme of special talks, films and activity, with a focus on mental health, supported by Wellcome.
Whose Story: Authentic Voices in StorytellingApr 5, 2019 44:41
From the Syrian conflict to Black Lives Matter; now more than ever there is an urgency for stories told by less represented and authentic voices emerging from affected communities. Getting access to a community not your own, to spend a few days filming on the ground, is widely considered ‘extractive’ storytelling. Can extended integration with protagonists truly embed a filmmaker with their subject's experience? What does it take to tell an ‘authentic’ story?
A panel of filmmakers at Sheffield Doc/Fest 2018 share their own experiences of extractive vs authentic storytelling.
Chaired by Anca Dimofte (Frontline Club) with filmmakers Molly Dineen, Leon Oldstrong and Deeyah Khan. Filmed by Sheffield Hallam University students and edited by Matthew Sturdy (Cosmic Joke).
Times Up: The Industry Response to Bullying & HarassmentMar 22, 2019 51:44
Allegations against Harvey Weinstein and numerous others exposed a deeply troubling side to the film and TV industry.
Chaired by Natasha Moore (Directors UK) with Tim Hunter (BAFTA), Jane Merkin, Billie JD Porter, Natasha Dack (Tigerlily) and Fiona Campbell (BBC). Supported by Directors UK
The BBC Interview: Mary BeardMar 8, 2019 57:36
One of our favourite talks from the 2018 festival: Charlotte Moore, Director of Content at the BBC, interviews public intellectual, feminist, author and television presenter Mary Beard.
In her trademark accessible style, Britain's best-known classicist discusses her broadcasting career as well as her most recent book, Women & Power: A Manifesto, hailed as a modern feminist classic.
Documenting Grenfell: a Problem in Plain Sight?Feb 22, 2019 53:38
In 2017 the Grenfell Tower tragedy shook the nation: claims of gross negligence, government cuts, and lack of political action angered communities, and the demand for justice and call for change began. For many the tragedy highlighted the deep divide in society, and a local story missed by the media elite disconnected from the ‘real world’. A panel of journalists, filmmakers and activists from Sheffield Doc/Fest 2018 discuss their own responses to disaster.
The panel is chaired by Siobhan Sinnerton (Channel 4) with Jonathan Rudd (Parable), Simon Hattenstone (Guardian) and Nendie Pinto-Duschinsky.
Poverty in the UK: New Approaches to StorytellingFeb 8, 2019 55:28
Poverty in the UK is increasing for the first time in two decades. We are seeing more people struggling to make ends meet. Does television set out accurately the complexities of living in poverty, or too crudely as either a deserving economic victim or undeserving ‘scrounger’? How can we tell more accurate stories of poverty to skeptical audiences, for a fuller debate and actions?
A panel from Sheffield Doc/Fest 2018 debate these questions and more. Chaired by Poppy Noor (The Guardian) with the writer Jack Monroe, the filmmakers Mark Raphael and Daisy-May Hudson and Chief Executive of the Joseph Rowntree Foundation, Campbell Robb.
Supported by JRF and Guardian
Jamal Edwards MBE: SBTV, Music & Mental HealthJan 25, 2019 39:58
Britain's hottest young entrepreneur Jamal Edwards, founded YouTube-based SBTV in 2006 with a self-recorded grainy rap battle. Now hailed as one of the most important digital youth culture platforms, SBTV boasts over 950,000 subscribers and 600+ million views and has launched the careers of countless UK grime and hip-hop artists. On a mission to break the stigma around mental illness, Jamal talks to Jolyon Rubinstein (The Revolution Will Be Televised) about his influential career, his recent documentary exploring mental health and his future plans for SBTV and beyond.
Craft Summit 2018: Documentary Subjects How Close Do You GoJan 11, 2019 38:27
This interactive and probing session uses the experience of a psychologist to gain insight into the art of directing actuality, the portrayal of character and examine whether we can ever get too close to the subject in documentaries.
Moderated by Krishan Arora with Sean Mcallister, Bernadett Tuza-Ritter, Geoff Beattie and Stephen Arnott.
Part of the 2018 Craft Summit at Sheffield Doc/Fest presented by Documentary Campus.
Visit our website: sheffdocfest.com
Khalik Allah: Exploring a New Film LanguageDec 7, 2018 51:10
Self-taught photographer and filmmaker, Khalik Allah's profoundly personal work has been described as "street opera"; visceral, haunting and honest. Having previously worked with Wu-Tang Clan and Mobb Deep, Khalik's feature debut Field Niggas, garnered critical acclaim from the cultural press and his follow up Black Mother received its UK premier at Sheffield Doc/Fest. Khalik talks to film programmer Ashley Clark, about his work as an artist and the creation of a unique and daring film language and aesthetic.
My Big BreakNov 23, 2018 40:59
Film and TV professionals at varying stages in their career discuss the successes (and challenges) that paved their way into the industry. With a panel made up of two BAFTA Breakthrough Brits, the Creative Producer of two award-winning feature documentaries, and a true innovator working in short-form, this panel is a must for anyone looking for advice on how to get their work made, and seen.
The session is chaired by Ade Rawcliffe (ITV) and includes filmmakers and producers; Elhum Shakerifar, Ayo Akingbade , Lucy Cohen and Ed Perkins.
Supported by BAFTA
Not Another Diversity Panel!Nov 9, 2018 01:01:25
Factual television is not an equal playing field. Women, ethnic minorities and those from a working class background are underrepresented in the industry. Apanel of commissioners and creators discuss the obstacles facing the factual industry in creating a truly diverse work force that represents and reflects Britain.
Moderated by Anne Morrison with Ramy El-Bergamy (Channel 4, Diversity), Clare Richards (filmmaker), Jaimie D'Cruz (Acme Films), Tom McDonald (BBC, Specialist Factual) and Rita Daniels (Channel 4, Factual).
Supported by Channel 4
BAFTA Masterclass: Matthew HeinemanOct 26, 2018 52:15
Matthew Heineman, the BAFTA- and Oscar- nominated director, is one of the most exciting documentary filmmakers working today. His films City of Ghosts and Cartel Land offered searing comment on the fight against ISIS and the war on drugs. In conversation with Mariayah Kaderbhai (BAFTA) Matthew discusses these films and his latest documentary series The Trade depicting the US heroin epidemic. Supported by BAFTA.
Best of Times, Worst of Times: The Future of Feature DocumentariesOct 11, 2018 01:01:48
Are we entering a new "Golden Age" for feature documentary? Will new funding sources create a flurry of blockbuster features, or is cinema exhibition inexorably declining as audiences ‘Netflix and chill’? The rising power of SVOD platforms opens up new audiences and revenue streams, but may also be skewing the market towards over-long, sensational documentaries based on profit algorithms. A panel explore who's got the money and whether today's market prioritises “Films that do Well" over “Films that do Good.”
Chaired by Rajesh Thind with Kim Christiansen (Danish Broadcasting Corporation), Mandy Chang (BBC Storyville), Elhum Shakerifar (producer) and Lisa Marie Russo (Doc Society)
Munroe Bergdorf: Women, Gender & ActivismSep 28, 2018 52:29
As both a high-profile activist and an international model, Munroe Bergdorf's experiences as a transgender woman remain the driving force behind her work. Voted 8th in Pride Power's Top 100 List 2017 Munroe uses her public platform to campaign for and support the trans community worldwide, and all those who define as 'women'. She joined us in conversation to discuss her work, her activism, and her recent documentary What Makes a Woman ?(Antidote Productions) for Channel 4.
The talk was chaired by Liv Wynter and included Munroe and Laura Jones from Antidote Productions.
The Channel 4 Interview: Guy MartinSep 14, 2018 01:00:34
Sheffield Doc/Fest and Channel 4 welcomed the Grimsby-born, TV adventurer, record breaker, motorcycle racer and lorry mechanic to the Festival for the first time. With inspirational documentaries, produced by North One, spanning world speed records, Formula 1 motor racing, the Wall of Death and his First World War tank build, the enigmatic Guy Martin talked to Suzi Perry about his celebrated TV career and beyond. Supported by Channel 4
Visit our website: sheffdocfest.com
Sir Lenny Henry in Conversation with June Sarpong MBEJul 27, 2018 58:38
Doc/Fest and Sky were delighted to welcome Sir Lenny Henry to the 2017 Festival. In conversation with June Sarpong, the celebrated comedian and actor discussed his game-changing career, his documentary work for Sky Arts and his drive to make change in the fields of arts, diversity and to tackle poverty through the charity Comic Relief. Supported by Sky
Maxine Peake - My Desert Island DocsMar 26, 2018 01:00:28
Sheffield Doc/Fest was thrilled to welcome the acclaimed Salford-based actress and writer Maxine Peake to the Festival for the first time. Talking to Guardian journalist Simon Hattenstone Maxine discussed her love of documentary film and those docs that have inspired her life, her sense of humour, work and politics, including Andrew Kotting's idiosyncratic documentary Gallivant, The Alcohol Years by Carol Morley, Ray Müller's biographical doc about the German filmmaker Leni Riefenstahl, The Wonderful Horrible Life of Leni Riefenstahl and the classic British doc The Moon and The Sledge Hammer by Philip Trevelyan.
How Do You Reach The Other 99%? The New Opportunities for Docs OnlineMar 9, 2018 54:02
Viewing of high quality factual TV content online has had a massive explosion in the last 18 months – with documentaries attracting millions of global viewers, but as a UK production company or an independent documentary maker, is online production really worth your time? A leading online producers and commissioners from YouTube, the BBC and National Geographic explore what makes a hit, why online production is creatively exciting, how to make money out of new content – and how to exploit the content you already have.
Supported by Little Dot Studios
How to Make Fast Turnaround DocsFeb 23, 2018 59:14
In these strange times with "the media” under attack in the West, there’s an urgent need for trustworthy storytelling that responds to current events – and documentary filmmakers are increasingly a part of this. As news organisations invest more in video, many are drawing on documentary techniques - following the best of TV news. How are some of the big names in journalism combining the narrative demands of documentary with the need for balance, objectivity, and fairness? How do editors sourcing stories around the world make sure they aren’t commissioning “fake news”?
The session was chaired by Liz Mermin (Thomson Reuters Foundation) and featured Charlotte Cook (Field of Vision), Dorothy Byrne (Channel 4 News), David Alter (Economist Films) and Charlie Phillips (Guardian).
Doc/Question Time: Is the Media Failing to Reflect the Real Opinions of the People?Feb 9, 2018 56:15
A distinguished panel from the world of film, media and politics discuss the rise of populism, ‘echo chambers’ and question how open we all are to contrary points of view in today’s media.
The session was chaired by William Horsley and the panel featured Charlene White (ITV News), Sara Ramsden (Channel 4), Trevor Phillips OBE, Martin Durkin and Jolyon Rubinstein.
What Does Brexit Look Like? 'Artistic Responses'Jan 26, 2018 59:11
Filmmakers and commissioners at the 2017 Festival discuss the creative impact of Brexit on documentary-making in Britain. A year after Britain voted to leave Europe, we ask how best to represent the voices of those on both sides of the divide, and whether what we see on our screens is changing as a result of the triumph of the Brexiteers.
Commissioner Question Time: Specialist Factual for all PlatformsJan 12, 2018 58:11
Should Specialist Factual be a genre that takes more risks? With broadcast giants like Netflix and Amazon changing the landscape of TV, taking risks and winning big, how should terrestrial and cable channels be responding? Is it time for specialist factual to serve a different purpose?
Ninder Billing chairs a panel from Sheffield Doc/Fest 2017 featuring Lucy Willis (Channel 5), Ed Sayer (Discovery), Hamish Mykura (National Geographic), Tom McDonald (BBC) and John Hay (Channel 4).
Peter Greenaway CBE: Where Next for Storytelling?Dec 29, 2017 55:58
Acclaimed director and artist Peter Greenaway is widely regarded as one of the most important innovators of our time. His work stretches back to the 1960s and includes the feature The Cook the Thief his Wife her Lover and the multimedia project The Tulse Luper Suitcases. Peter came to Sheffield Doc/Fest 2017 to discuss his work and explore the changing language of film and cinema.
Commissioner Question Time: Feature LengthDec 15, 2017 53:29
How do different commissioners define a feature documentary? Is it based on viewer expectations, the importance of the central issue or simply its duration? Is a deeper level of access, revelation or visual ambition a must too? With feature docs available to consumers from an ever-increasing number of sources, what new opportunities does this offer to producers? And with linear TV and its duration restrictions put to one side, could the definition “feature doc” be about to disappear? A panel from Sheffield Doc/Fest 2017 explore these questions and more.
Chaired by Paul Ashton (Creative England) the panel featured Al Brown (Vice), Jutta Krug (WDR/ ARD), Hajnal Molnar (Sundance Institute) and John Van Wyck (Cinereach).
Female Trailblazers: New Ways of Working in MediaNov 13, 2017 57:37
There is a new vanguard in our media culture. A growing pool of talented and experienced women, tired of waiting for the film and TV industry to reach the 21st century, are driving it forward themselves. The voices of working mothers, and female perspectives in general, are being lost in the current industry climate. The women on this panel from Sheffield Doc/Fest 2017 are forging ahead with new business models and new ways of working that suit their lives, their choices and their careers.
The BBC Interview: Louis Theroux meets Nick BroomfieldOct 27, 2017 42:26
In a career spanning more than four decades, Nick Broomfield is one of the most influential documentary makers of our time. Having initially carved his name in hard hitting observational fare, when ‘Driving me Crazy’ went awry in 1988 Nick decided to place himself in the story, going on to make a number of acclaimed films including Biggie and Tupac, Aileen Wuornos: The Selling of A Serial Killer and Kurt & Courtney. Nick returned to Doc/Fest 2017 with the much anticipated Whitney ‘Can I Be Me’. Louis Theroux, himself no stranger to being centre of the action, talks to Nick about his new film and looks back at his career.
Supported by BBC
New Genderation: Has Factual Kept Up With the Revolution in Gender and Sexuality?Oct 13, 2017 58:49
Documentaries about the LGBT community have broken into the mainstream. Films like My Transexual Summer, Gay and Under Attack and Girls to Men have told a diverse range of stories. While some of these were celebrated, others were accused of being voyeuristic and exploitative. So what is the attitude of broadcasters, programme-makers and the film industry towards gender identity and sexuality, and is there any diversity behind the camera?
A panel chaired by Theresa Health and including Bill-Joe Newington, Jes Wilkins, Twiggy Pucci Garcon and Fox Fisher discuss.
Freddie Flintoff & Robert Penn Talk Docs & ChipsOct 13, 2017 39:38
Doc/Fest welcomed cricketing legend and former England captain, along with journalist and co-presenter Robert Penn, to the 2016 Festival, to talk about their popular series for Sky 1; ‘Flintoff: Lord of the Fries’ and ‘Freddie Fries Again’. Freddie and Rob discuss the making of the series that saw them traveling the UK and Ireland in their mobile fish and chip van, through stunning locations, meeting a host of characters, serving up fried delights to the friends they made and how their own friendship was tested to the limit.
The talk was chaired by comedian and presenter Mark Dolan.
Olly Alexander Talks DocumentarySep 29, 2017 55:06
Doc/fest were thrilled to welcome Olly Alexander, frontman of the British electronica trio Years and Years to the Festival to discuss the making of his first documentary 'Olly Alexander: Growing Up Gay’. The film has recently screened on BBC3 as part of the BBC's Gay Britannia season marking the 50th anniversary of the Sexual Offences Act 1967 that partially decriminalised homosexual acts in England and Wales. In the documentary, Olly explores why the gay community can be more vulnerable to mental health issues, as he opens up about his own long-term battles with depression. The film produced by Antidote Productions, the company behind the critically acclaimed Professor Green: Suicide and Me for BBC Three. Olly was joined by Lelia Monks and Vicki Cooper from Antidote who talked to Damian Kavanagh, the controller of BBC3.
D.A. Pennebaker & Chris Hegedus in Conversation with Francine StockSep 15, 2017 54:15
Talking to BBC Radio 4 Film Programme presenter Francine Stock, renowned filmmakers and Academy Award-winners D.A. Pennebaker and Chris Hegedus discuss their latest film Unlocking the Cage, as well as look back over a body of work spanning 40 years.
Supported by BBC Storyville.
Exploring the American MarketsSep 4, 2017 49:09
Continuing the recent trend of aggressive M&A activity, streaming giants Netflix and Amazon snapped up a wealth of documentary content at this year’s Sundance festival in January. With the US, still a major export territory for UK content producers what do these continued shifts in commissioning sources and distribution platforms mean for the UK industry?
A panel from Doc/Fest 2017, including UK producers and US distributors and broadcasters, explore current and highlight future trends, providing valuable insight into the world’s biggest marketplace.
The panel was chaired by Mark Leaver (DIT) and included Simon Chinn (Lightbox), Ben Braun (Submarine), Molly Thompson (A&E IndieFilms) and Marie Nelson (PBS).
Supported by DIT.
Stacey Dooley Talks...Aug 18, 2017 57:12
The popular documentarian and journalist, Stacey Dooley returned to Sheffield Doc/Fest 2017 to discuss the art of uncovering surprising and shocking stories. At the heart of Stacey’s documentaries lies her passion for investigating social, economical and cultural issues affecting young people around the world. Stacy talks about her career, her campaigns against child labour and latest slate of docs for BBC3.
BAFTA Masterclass: Making True Crime Docs & SeriesAug 4, 2017 57:40
From blue flashing crime scenes to tense interrogations, the thirst for True Crime is insatiable. So how do content creators keep one of the longest running documentary genres fresh and exciting? How do US crime docs compare to the UK? And in a world when every move can be publicly scrutinised, how do you navigate press teams, consent and full open access from those trying to make our cities safe?
A panel of filmmakers and commissioners from Sheffield Doc/Fest 2017 discuss making true crime documentary.
Supported By BAFTA
Ian Hislop & Jolyon Rubinstein: Post-truth & SatireJul 21, 2017 50:35
Ian Hislop, the editor of the satirical news magazine Private Eye and team captain on Have I Got News for You, came to Sheffield Doc/Fest for the first time. In conversation with the BAFTA winning actor and satirist Jolyon Rubinstein (The Revolution Will be Televised, Revolting), Ian explored the role that satire plays in documenting our world and getting to the truth, as well as discussing his new documentary exploring immigration.
Professor Green: Documentaries & MeMar 31, 2017 43:15
Professor Green, Stephen Manderson to his friends, came to Doc/Fest to talk about his film work for BBC3; intensely personal portraits of difficult subjects like male suicide and homelessness.
Commissioning: Singles, Specials & SeriesMar 17, 2017 59:51
With Netflix & Amazon making bold moves into the documentary space, what does this mean for an already cluttered international market? Is exclusive access and strong storytelling still enough, or do new documentary commissions need to offer something more? Is there a risk that in doing so, the authenticity of the genre takes second place to marketing and publicity demands? Or is it just the natural evolution of the genre?
The Channel 4 Interview: Michael MooreFeb 10, 2017 01:05:00
Sheffield Doc/Fest and Channel 4 welcomed Oscar-winning director Michael Moore back to Sheffield, 18 years after his first visit. Voted one of “The World’s 100 Most Influential People” by Time Magazine, he is widely regarded as one of the most important filmmakers working in documentary. Michael talks to Ralph Lee, Deputy Chief Creative Officer at Channel 4, about his latest film, Where to Invade Next?. which opened this year's Festival, as well as looking back over his hugely successful career.
Supported by Channel 4.
Innovation in ArchiveJan 27, 2017 50:03
This Sheffield Doc/Fest 2016 session explores the ways that filmmakers and artists are combining archive and new technologies to engage audiences across TV, cinema, VR, galleries and exhibition spaces, and what the future holds for film heritage. The panel was chaired by Rebekah Polding (BAFTA) and included Dr Stephen Smith (USC Shoah Foundation), Catherine Allen (Easter Rising: Voice of a Rebel) and Lindsey Hanlon (BBC). The session was supported by Creative Skillset.
New Dimensions in TestimonyJan 12, 2017 35:57
Dr Stephen Smith’s keynote talk at the Alternate Realties Summit showcased New Dimensions in Testimony; ground-breaking natural language software that allows audiences to have a “virtual encounter” with the recorded image of Holocaust survivor, Pinchas Gutter, who responds in real time, powered by complex algorithms providing realistic conversation. Dr Smith discussed how he and his team compile the complex audio and visual data for this project, which will transform storytelling and archives of the future.
Viva la Revolucion: Video Activism and Citizen JournalismDec 16, 2016 01:03:59
How do filmmakers capture political struggles? What challenges do filmmakers face in making politically-committed documentaries? How can radical films connect with audiences? This session, from Sheffield Doc/Fest 2016 explores different approaches to political filmmaking taking place in the UK, Egypt and Greece, from video-activism and feature documentary to interactive formats and fiction/documentary hybrids. The session was chaired by Steve Presence and featured Shaun Dey, Aris Chatzistefanou, Alisa Lebow, Usayd Younis and Cassie Quarless.
In Conversation with HBO's Sheila NevinsDec 2, 2016 38:06
A powerhouse in the documentary world, Sheila Nevins has shepherded scores of the genre’s best films over many years and, as President of HBO Documentaries, is one of the US’s most powerful documentary executives. Sheila talks with Nick Fraser about some of the many hits in a career that has garnered nearly thirty Emmy awards.
How to get Your Theatrical Doc Funded and DistributedNov 25, 2016
It’s a golden age for theatrical documentaries with new forms of distribution and exhibition easing the way while audience appetites for watching documentaries on the big screen have never been stronger. This session, from Sheffield Doc/Fest 2016, focused on different avenues for getting theatrical documentaries funded and distributed. The session was chaired by Claire Aguilar and the expert panel included Simon Chinn (Red Box Films), Ollie Harbottle (Dogwoof), John Hoffman (Discovery), Kate Townsend (BBC Storyville) and Elizabeth Wood (Bertha DocHouse).
Writing with Light: The Art of CinematographyNov 11, 2016 01:00:00
The harmony of photography and story has been the goal of professional cinematographers throughout cinema history. But how is the perfect marriage of image and narrative achieved and what choices do the director and cinematographer make to best visually express the story? A panel of distinguished documentary filmmakers discuss the creative and practical process and offer valuable insights into the dramatic choices directors and cinematographers make.
Notes on Blindness: Into Darkness, a Film and VR AutopsyOct 28, 2016 01:03:16
Following the UK Premiere, the Notes on Blindness team shared insights on creating and distributing film and virtual reality together for the first time. From early conversations at Doc/Fest’s MeetMarket to touring the project across the UK, its creators, funders and distributors discuss the challenges in building a successful model for funding and touring cinema and VR together.
Supported by BFI Film Audience Network’s This Way Up fund.
Ronnie O'Sullivan in ConversationOct 14, 2016 33:09
Following a kaleidoscope of strong personalities around the table in the 70s and 80s, the realm of snooker became a somewhat homogenised place following the introduction of corporate sponsorship and media training in the 1990s. Enter Ronnie O 'Sullivan - the some might say maverick, all would say phenomenally gifted player, he won 5 World Championship titles at Sheffield's Crucible Theatre and refused to fit in to the neat little box assigned to sports personalities. Not one to rest on his laurels, O'Sullivan continued to challenge himself professionally - teaching himself to play left handed and winning and personally - expressing an interest in religion and spirituality which led to many a raised eyebrow in the media. Never hiding the fact that he had come from an imperfect background and daring to be critical of the snooker world at large, Ronnie The Rocket has always been both an incredible player to watch and a fascinating public figure to follow in the modern world of sport. Sheffield Doc/Fest was delighted to welcome Ronnie back to The Crucible in a completely new way: talking with Guardian Journalist Simon Hattenstone, Ronnie revealed for the very first time the documentaries that have inspired him throughout his life and snooker career.
BAFTA Masterclass: Working with ArchiveSep 30, 2016 56:04
Archive is an essential tool in the documentarians’ toolbox. In this masterclass from Sheffield Doc/Fest 2016 we hear from filmmakers from both film and television who have creatively used archive footage to tell their stories. Chaired by Katy McGahan from the BFI, the panel included Aaron Brookner (Director, Uncle Howard), Paul Bell (Archive Producer, Amy and Senna) and Simon Young (National Geographic). They discussed how archive can be used in storytelling, how to make archive footage resonate with an audience and explored the relationship between director and archive producer.
Supported by BAFTA and Creative Skillset.
The Absolutely Adventurous Joanna Lumley in ConversationSep 2, 2016 45:19
Doc/Fest and ITV were thrilled to welcome a true legend to the 2016 festival: Joanna Lumley OBE. The celebrated actor, documentarian and campaigner came to Sheffield to talk about her esteemed and exciting career in TV and film. Her documentary work has included epic journeys to discover diverse cultures and continents and intimate portraits of pop icons from Elvis to will.i.am. Born in Kashmir, Joanna began her professional life as a model, before moving into acting, including unforgettable performances in The Avengers and Absolutely Fabulous. In conversation with journalist and news reader Sir Alastair Stewart, Joanna discussed her experiences on films such as Joanna Lumley’s Trans-Siberian Adventure, the Northern Lights and Nile, as well her future documentary work.
Supported by ITV
Breaking In: A Guide for Film Industry EntrantsSep 2, 2016 58:46
The film industry is notoriously difficult to break into. A panel of emerging filmmakers and professionals including Alice Hughes, Phillip Wood, Magali Pettier, Daisy-May Hudson each have a story to tell as to how they did just this and give insight into the lifecycle of a film from development to distribution, and advice on how first time filmmakers get noticed and get their films seen. Chaired by Charlie Lyne.
The BBC Interview: Reggie YatesAug 19, 2016 46:57
Broadcaster, actor, writer and director, Reggie Yates is one of TVs most exciting talents. His recent documentaries for BBC3: perceptive, thoughtful explorations of important issues, take in some of the world’s most divided societies. In conversation with Patrick Holland, Head of Documentaries at the BBC, Reggie discusses his career and share insights into future projects and ambitions.
Sir David Attenborough in ConversationAug 5, 2016 01:01:58
Sheffield Doc/Fest were absolutely thrilled to welcome world-renowned naturalist Sir David Attenborough to the Festival for the first time in 2016. Long established as the world’s leading natural history documentarian and presenter, Sir David’s long and celebrated career has also included the highest-level work off screen, as Controller of BBC2, and Director of Programmes across the BBC. He has been responsible for commissioning many innovative titles over the years, including the 13 part documentary television series The Ascent of Man. In 1966 he oversaw the introduction of colour television to Britain and in 1969 was responsible for clearing the BBC schedule for the moon landing.
Sir David discussed his long and illustrious career and talked about the future of television and media with Charlotte Moore, Controller of Channels and iPlayer for the BBC.
Supported by BBC
Our BBC, Our Channel 4: A Future for Public Service TV?Jul 22, 2016 01:31:44
As the BBC Charter Renewal moves into its final stages with a White Paper due soon and the possible privatisation of Channel 4 currently on the government’s agenda, the future of these public institutions is in doubt. A distinguished panel at Sheffield Doc/Fest debated the issues facing public service television including: the film producer and Labour Peer Lord David Puttnam; Ralph Lee from Channel 4; Hugh Harris from the Department for Culture, Media & Sport; and Patrick Holland from the BBC.
Supported by Sheffield Hallam University and the University of Sheffield.
Newsnight and Documentary with Ian KatzNov 13, 2015 24:40
Newsnight has been the BBC’s flagship news and current affairs programme for over 30 years. Newsnight Editor, Ian Katz, joined the programme in 2013, before which he was Deputy Editor and Head of News at the Guardian newspaper. In conversation with Nick Fraser, Ian will discuss Newsnight’s introduction of a short form documentary element to the programme and the relationship between nightly current affairs, short form content and documentary.
With speakers Ian Katz and Nick Fraser.
Re-framing Climate ChangeNov 6, 2015 33:58
Climate change is one of the major issues of our time. But covering it on TV is a huge creative challenge. Broadcasters are keen to give it more air time, but they want producers to find a fresh approach. In this session we explore how climate change can be reframed, so that it is seen not just as an environmental issue but one which affects all aspects of life. Sponsored by IBT
With speakers Joe Smith, Emily Shuckburgh, David Glover, Cassian Harrison and Mark Galloway.
Interactive Filmmaking 101Oct 30, 2015 21:15
Throughout the year, Doc/Fest has been holding a series of Interactive Filmmaking Workshops around England, supported by Creative England and in partnership with Crossover Labs. These workshops have been investigating six different interactive storytelling platforms; Klynt, Racontr, Korsakow, Popcorn, Interlude Treehouse and Storygami. Reporter Gemma McKinnie will deliver the final verdict on each platform, and will be joined by a panel to discuss the pros and cons of each tool. Supported by Creative England
With speakers Gemma McKinnie, Clare Tavernor, Florian Thalhofer, Maria Gemayel, Gerald Holubowicz and Philo van Kemenade.
Dangerous Storytelling: Documentary Filmmaking and the Safety of Subjects.Oct 23, 2015 39:00
The relationship between filmmaker and subject is a topic hotly debated by filmmakers, academics, and journalists. Methods such as undercover filming, encrypted communication and Skype allow filmmakers to reach individuals who may otherwise be reluctant to speak or difficult to meet in-person. However, unprecedented access to a compelling story can come with a risk to the individuals at the centre of the film. When the telling of a story has potential consequences, how can a filmmaker ensure the protection of their subjects? The panel members discuss circumstances in which the presence of a camera can be risky business.
With speakers Orlando Von Einsiedel, Juliana Ruhfus, Beadie Finzi and Kim Longinotto.
Scoring a DocumentaryOct 16, 2015 26:15
A panel discussion on the options available to filmmakers to create an impactful documentary score. We look back on how documentary scoring has evolved over the last 90 years. Have MIDI technologies and electronic plug-ins replaced the need to spend the time and money recording live musicians? Has technology given us more expressive and creative possibilities to storytell with sound in different ways? We will hear audio examples to see who can really tell the difference? The session will inform filmmakers and producers on the realistic options available, and give leading composers a chance to discuss which tools, money and direction they need from you to best perfect your score.
With speakers Kate Townsend, Ed Perkins, Patrick Jonsson, Brendan Woithe and Orlando Von Eiseiedel.
Vision and IntentOct 9, 2015 32:20
A panel of doc filmmakers explored the art of cinematography in documentary filmmaking. They will discuss the creative and practical benefits cinematographers bring to the documentary filmmaking process and how best to visually express the story and about collaboration between producer, director, cinematographer and editor.
With speakers Stephen Robinson, Brian Woods, Joanna Crickmay, Neil Harvey, Anthony Wonke, Nicola Daley and Vanessa Engle.
The Channel 4 Interview with Dan ReedOct 2, 2015 33:24
In a career spanning 20 years, Dan Reed has established a reputation as one of the most dedicated and talented filmmakers working in Britain today. The award-winning The Paedophile Hunter is widely hailed as the best single documentary of 2014. His acclaimed Terror trilogy uses UGC, CCTV and interviews to powerful effect, depicting acts of terror in seemingly real-time as they erupt across everyday settings. His latest film, The Escorts, screening at Doc/ Fest, takes viewers into the world of high class prostitution; he is also working on a film about money laundering and grand corruption in London. Channel 4’s Deputy Chief Creative Officer Ralph Lee was in conversation with Dan Reed about his body of work exploring the darker reaches of our modern lives.
The Making of Long Lost Family with Davina McCall and Nicky CampbellSep 25, 2015 30:46
Davina McCall and Nicky Campbell, stars of ITV's hit documentary series Long Lost Family, came to Sheffield to share their insights into the making of a programme that delivers some of the most emotionally powerful scenes ever seen on television. The series, which aims to reunite relatives after years of separation, is a powerful study of separation, hurt, regret, growing up, identity, family and love.
With Sally Benton, Leanne Klein, Davina McCall, Simon Dickson and Nicky Campbell.
The Making of How To Change The World: a Film Archives MasterclassSep 18, 2015 25:54
How To Change The World has been wowing audiences at film festivals around the world. Here we joined producer Al Morrow, director Jerry Rothwell, editor Jim Scott and archive producer Elizabeth Klinck for a film archive masterclass.
Watching What We SaySep 11, 2015 28:31
Filmmakers around the world are facing grave consequences for expressing their creative viewpoint. Broadcasters are being pressured into delaying or cancelling the transmission of documentaries. Hostile nations are rumoured to have carried out cyber attacks following unfavourable portrayal. Are the potential risks to filmmakers and broadcasters outweighing the importance of a story? Is institutional self-censorship hindering vital stories being told? Does everyone have the right to a voice? We’ll hear from those who’ve been censored and those who’ve broken laws to tell their story. Our panel of noted filmmakers, broadcasters and journalists assess what freedom of expression represents in documentary filmmaking.
With Ursula Macfarlane, Patricia MacBride, Parvez Sharma and Nick Fraser
Women in the IndustrySep 4, 2015 32:49
It might be 2015, but when it comes to gender equality, we are only just emerging from the dark ages. In this session, we discussed the challenges facing women trying to forge a career in the independent documentary industry. While there are certainly glimmers of hope –a record number of women directors are featured at Doc/Fest this year – we can’t lose sight of the fact that this remains a male dominated world – as we looked for ways to redress the balance.
With Cat Cooper, Corrina Antrobus, Leslee Udwin, Jeanie Finlay and Debra Zimmerm
John AkomfrahAug 28, 2015 52:19
A seminal figure of activist and 'engaged' cinema, British filmmaker John Akomfrah has been leading the charge for over 30 years. As one of the founders of the Black Audio Film Collective, which sought to use documentary to explore questions of black identity in Britain, Akomfrah has continually pushed boundaries in both form and content. We are delighted to be featuring a retrospective of his work in this year’s Doc/Fest. In this session he will discuss his remarkable career with Francine Stock, the presenter of The Film Programme on BBC Radio 4.
With John Akomfrah and Francine Stock
Joshua Oppenheimer MasterclassAug 21, 2015 26:00
Joshua Oppenheimer's films include the BAFTA award-winning and Oscar-nominated The Act of Killing (2012), and the companion piece The Look of Silence (2014) - winner of the Grand Jury prize at the 2014 Venice Film Festival. He is the artistic director of the Centre for Documentary and Experimental Film at the University of Westminster and has worked for over a decade with militias, death squads and their victims to explore the relationship between political violence and the public imagination. In this in-depth masterclass, BBC1 Film Programme critic Danny Leigh, unpicks Joshua's methods and motivations and explore the meaning of his controversial and boundary-pushing films.
Make it ShortAug 14, 2015 32:19
Shorts are taking the world by storm. Find out how new funding and distribution opportunities are helping that success. We’ll screen some of the best shorts from around the web, hear about Channel 4’s latest ‘shorts’ strategy and meet some pioneers who are using shorts to make the world a better place. Whether you are making shorts to get your story out fast, as a stepping-stone to long form docs or because you prefer your content in bite-size chunks, this panel will prepare you for your next ‘shorts’ encounter.
Commissioning Panel DocumentaryAug 7, 2015 46:01
How do documentary commissioners win our attention in a crowded marketplace? Are the days of worthiness dead, replaced by documentary as brand enforcer and marketing tool for a channel? To secure a place in the schedules does documentary subject matter have to be provocative - grabbing tabloid headlines? Are commissioners and producers bringing important issues to their audiences?
Making Waves Courting ControversyJul 31, 2015 41:07
From climate change to medical emergencies to self-experimentation and radical cures, science is rarely immune to controversy. Join journalist and presenter Jon Snow and documentary makers, Ingvil Giske (Good Girl), Teresa Camou (Sunu) and artist, Brian Lobel, to explore how to turn political hot potatoes into groundbreaking and insightful science stories with the potential to change lives.
Final Frontiers 101Jul 24, 2015 41:19
Join comedian Robin Ince to explore the uncharted territories of unthinkable, forgotten and dream commissions. Following a scene-setting talk, Robin is joined by academic, David A. Kirby, writer and campaigner, Alice Bell and Executive Producer, Tom Gorham to glean from the history of science, the silver screen and science fiction.
Lucy Worsley in ConversationJul 17, 2015 27:45
Sheffield Doc/Fest welcomes historian and TV presenter Lucy Worsley to the 2015 Festival. Lucy’s inimitable way of bringing English history to life has made her a firm TV favourite. Her most recent programmes for the BBC include; The First Georgians: The German Kings Who Made Britain (2014) and Dancing Cheek To Cheek: An Intimate History of Dance (2014) with Strictly Come Dancing judge Len Goodman. Lucy will share insights into her work as both a presenter and social historian, which focuses on where history meets human interest.
Brett Morgen on Cobain: Montage of HeckJul 10, 2015 31:35
A masterclass with the celebrated American documentary filmmaker Brett Morgan. Dubbed the ‘mad scientist’ of documentary film by The New York Times, Morgan is best known for his films Rolling Stones: Crossfire Hurricane, The Kid Stays In The Picture, about the legendary Hollywood producer Robert Evans, and now Cobain: Montage of Heck, his portrait of Nirvana frontman Kurt Cobain, billed by Rolling Stone as ‘the most intimate rock doc ever’.
Kim Shillinglaw InterviewJul 3, 2015 24:02
A chance to hear BBC controller Kim Shillinglaw, who will discuss her ambitions for the future of factual on her channels, BBC 2 and BBC 4. Kim will be in conversation with the makers of the new BBC 2 series The Detectives, following a Greater Manchester Police specialist unit investigating sex offences. Kim will also talk about her wider ambitions for narrative and storytelling on BBC 2 and BBC 4.
Editor Masterclass: Chris KingApr 24, 2015 55:27
Over the last few years Chris King has earned himself a reputation as one of the most creative and incisive documentary editors in Britain, bagging two Academy Award nominations, two BAFTAs, and numerous other awards for projects like Senna, Exit Through The Gift Shop, Our Way and Welcome To Lagos. In a conversation with Sam Anthony from BBC Factual Commissioning, Chris will share his unique take on storytelling, illustrated with numerous clips, as well as despatches from some of the most creative cutting rooms in the country
The BBC Interview: Gareth MaloneApr 17, 2015 25:52
This year The BBC Interview invites choirmaster, presenter and populariser of choral singing, Gareth Malone to join them for an exclusive interview. Explore Gareth’s extraordinary rise to fame, and hear how his passion for music has reignited interest in choral music through the BAFTA and RTS award-winning BBC 2 series The Choir. His 2011 follow-up series The Choir: Military Wives led Gareth to not only beat the annual X Factor winner’s single to Christmas Number 1, but the single is the most pre-ordered music item of all time on Amazon in the UK
Taken from Doc/Fest 2012
Cinematic JournalismApr 3, 2015 18:33
In the changing world of print journalism, newspapers and magazines have to adapt quickly to the increasing demand of readers on television, on the net, and even on their phones. In order to address this widening gap between news and technology, traditional print media have begun to incorporate video and film work to heighten, enhance and even stand for their work. This panel will discuss how media outlets are commissioning and incorporating video and how filmmakers can find a place, and a voice in this medium.
Recorded at Doc/Fest 2011.
Bedlam Masterclass- How The King's Speech Got Made and Other StoriesMar 27, 2015 13:43
A Masterclass with Bedlam Productions' Gareth Unwin, Simon Egan and Simon Breen as they celebrate the success of The Kings Speech (2010) and discuss their latest documentary projects. They will also examine how the demand for history films often results in documentaries that become dramas.
Taken from Doc/Fest 2011.
BBC Interview: Adam CurtisMar 20, 2015 39:00
Adam Curtis is a documentary maker with one of the most distinctive visual styles. Prolific in his blogging about some of the world’s most pressing issues, his films often reflect the opinions and arguments he has developed through meticulous research and rigorous planning. In various series commissioned by the BBC, Curtis has made extensive and imaginative use of their archive footage, often employing it as a visual accompaniment to his informative narrative. Recipient of Doc/Fest's inaugural Sheffield Inspiration Award and the winner of numerous other accolades, Curtis has built a reputation for consistently producing innovative output across different spectrums. His films can be broadly characterised by their thought provoking content, carried by twists of irony and laconic humour. His credits include The Living Dead, The Century of the Self and The Power of Nightmares, and span across a career stretching 25 years.
In this session from Doc/Fest 2011, Adam will be discussing the inspiration behind his latest documentary, All Watched Over By Machines Of Loving Grace. The Three-part series questions that altruistic nature of the human species, and explores the philosophical parallels that can be drawn between machines and ourselves.
Filmmaker Masterclass: Making Your First DocumentaryMar 13, 2015 43:03
Want to know the tricks of the trade for making your first documentary? Well this is the place to start. This session will cover the crucial areas for making your first feature documentary, looking at how to put your crew together, creative ways to raise a budget, how to make that all important taster video and how to gain access to that amazing story and pitch it. Hear firsthand from a range of young filmmakers who have managed to break through the industry.
This session was part of the Film Nation: Shorts scheme, a competition that invites young people to make, and vote for, films celebrating the London 2012 Olympic and Paralympic Games.
Recorded at Doc/Fest 2011.
Theatrical Docs: What's The Ticket?Mar 6, 2015 32:56
British feature documentary hot shots come together to debate the space for docs on the silver screen. Every panellist will bring something different, from highlighting the importance of a story's international appeal, to enlisting a solid key crew, to using an authentic stylistic approach-feature producers, directors and distributors will be sharing their experiences with the audience.
Frank Rose Keynote: When Games and Stories CollideFeb 27, 2015 21:17
Recorded at Doc/Fest 2011. The mass media of the past century have been restrictive by nature, with audiences confined to a passive role- but that has now completely changed. The inclusive nature of the Internet invites open participation amongst storytellers and audiences alike, and that means putting the audience right and the centre of the action in a game-like fashion. Storytellers of every stripe will now have to learn a new grammar of storytelling, one that is only now being invented. The challenge for those working within the media industry is to keep up with these changes- and the question becomes, how can storytellers use the new possibilities at their disposal to their advantage?
Running an Independent Production CompanyFeb 20, 2015 31:46
What does it take to be a successful indie? How to stay around long term? Come and hear from some different companies. KEO Films, Storyvault Films and Century Films work mainly in the UK and World of Wonder works mainly in the USA> All have been making prime time TV for years and have chosen to remain independent rather than get bought by a super indie. What are the pros and cons of not selling to a studio or a super indie? Hear how they stay alive and thrive in today's landscape. From Doc/Fest 2014.
Albert Maysles MasterclassFeb 13, 2015 48:20
Join film legend Albert Maysles of Maysles Films in a conversation featuring selections from his unsurpassed body of work, which spans over 55 years of filmmaking. This masterclass is from Doc/Fest 2011. The inaugural recipient of The Sheffield Docfest Lifetime Achievement Award will take questions about his iconic work — from Gimme Shelter and Grey Gardens to Muhammad and Larry and current projects — and share his philosophy as a documentary filmmaker. He was the guest of honor at the Friday Night Gala Dinner.
Jon Snow in ConversationFeb 6, 2015 41:56
Join legendary journalist and presenter Jon Snow for this Conversation session from Doc/Fest 2014. Jon will discuss his extensive career in television and share some highlights with the audience.
Behind the Digital Rig: The Secret Life of StudentsJan 30, 2015 30:59
Channel 4 pioneered the use of The Rig with The Family. Since then the technology has spawned many series from 24 Hours in A&E to One Born Every Minute and it’s now pushing into new territories such as The Marines. After having changed the way that we view many traditional observational documentary spaces, The Rig itself is now transforming. First the more mobile mini-rig used in The Chicken Shop and Nightclub Toilet and now the Digital Rig. Channel 4 commissioned RAW to take The Rig a step further and reflect our digital life - the thoughts and feelings that are captured on mobile phones and computer screens, but which don’t necessarily feature in real world conversations and interactions.
This gave rise to the ‘D-Rig’ which has been used to explore the connections and secret life of students and teens, effectively providing a whole different narrative and perspective on their lives. For 4 months the D-Rig captured every text, call, tweet and Facebook update of twelve students alongside traditional observational filming. This data was then used on screen to tell the complete story of the social network of students. In this session Dimitri Doganis and Emma Cooper discuss the vision for the D-Rig, the impact it had on the narrative (effectively providing two sets of rushes), the implications of using the data and the reaction of the contributors to seeing their digital lives.
Roger Graef: 50 Years of Pioneering DocumentariesJan 23, 2015 49:43
Roger Graef OBE has been a leading figure in the TV documentary industry over the last 50 years. As a director, producer and executive producer, he has been responsible for more than 160 documentaries, a number of which have directly influenced policing, criminal justice and social policy. His pioneering contributions include developing the fly-on-the-wall technique and creating the first TV documentary co-production in the UK. Introduced by Brian Woods, Roger Graef is in conversation with Robyn Bright discussing the last half-century of documentary filmmaking in Britain, explored through a chronological selection of Roger’s landmark films.
Based on a True StoryJan 16, 2015 34:44
This session, from Sheffield DocFest 2104, looks at fact-based drama (examples: Argo, Last King of Scotland, Rush) vs docudrama (Dreams of a Life, The Imposter, Muhammad Ali's Greatest Fight). With the new UK tax credit designed to encourage drama, comedy and documentaries, how can documentary makers take advantage of it? When does it make sense to look at filming your story as a docudrama or as a fact-based drama? When do the facts get in the way of a good drama and vice-versa? Speakers include Penny Woolcock, Neil McKay, Tony Grisoni and Leslie Lee.
BAFTA Masterclass: Olly Lambert on Documentary FilmmakingJan 9, 2015 53:28
A masterclass on the craft of documentary filmmaking with BAFTA-winning filmmaker Olly Lambert who was awarded the Current Affairs award at the 2104 Arqiva British Academy Television Awards for his film Syria: Across The Lines. Olly has also been awarded the BAFTA Scotland Documentary Series Award for The Great Game with Rory Stewart. Seen as one of the most accomplished filmmakers in factual today, Olly makes films about ordinary people caught in extraordinary situations, thoughtfully portraying their worlds with care and an honest intimacy, and often using their stories to shed light on international current affairs. As recipient of the 2014 Peter McGhee Fellowship award, Olly has been honoured as a filmmaker whose work reflects excellence, intelligence, fairness and scholarship. Grierson, Rory Peck and RTS-winning speaker Olly shares insights into his filmmaking from the perspective of journalist, director and cinematographer.
Sex on Screen: how far can you go?Jan 2, 2015 16:02
How are we treating the intimate subject of sex and sexuality on TV? As we increasingly push the boundaries of what we can show on television, are certain subjects still invisible, misrepresented or taboo? Questioning the necessity of being explicit or provocative, our expert panel of leading documentary commissioners and filmmakers look at the changing attitudes towards sex, and their role in shaping our understanding of human sexuality, in all its forms. From female sexuality, to young people, bisexuality, pornography addiction, and on to the elderly, who remind us they're not quietly tucked up in bed. The panel includs Greg Sanderson, Sunny Bergman, Barbara Truyen, Sara Ramsden and Anna Rodgers.
From Fact to Fiction: When Documentaries Meet the Movie BusinessDec 26, 2014 47:58
What happens when documentaries attract the attention of Hollywood? In 2014, some great British documentaries have crossed over to the movie business. Leading directors, producers and lawyers share their experiences. Havana Marking’s remarkable Smash and Grab: The Story of the Pink Panthers is now slated to be directed by Danny Boyle as a feature adaptation. Salma, the central contributor from Kim Longinotto’s acclaimed film of the same name, is doing a deal direct with a LA film producer for the rights to her story. And Peter Armstrong, Partner, Harbottle and Lewis has done several complex movie deals on high profile life story titles including Wikileaks, Julian Assange. We hear gripping accounts of the process and also discuss the ethics and rights when selling ‘real life’. Do documentaries and feature films make easy bed fellows…or is it a minefield?
In Conversation: Peter BazalgetteDec 19, 2014 41:30
Chair of Arts Council England and TV innovator, Peter Bazalgette, has championed the importance of the arts to all sections of society, regardless of platform or geographical location, defending public funding of arts and culture for all.
In this session, Peter is interviewed by Anna Higgs, head of Film4.0, who asks him about where film and digital fit into ACE’s plans – in a cross-platform age, how do the traditional boundaries between art forms stand up? What’s the future for interactive and digital arts?
How to Crap on Everyone and Make it to the TopDec 12, 2014 38:12
Lee Kern brings his one-stop workshop designed to make even the most mediocre filmmakers a force to be reckoned with in the world of independent documentary filmmaking. How to crap on your peers, how to make your subjects cry on camera and then ditch them when you’ve finished – everything you need to know in order to make it to the top is here in this masterclass. You too can become king of the documentary crap heap!
Motivator in Chief: Colin YoungDec 5, 2014 57:12
Question: What connects Nick Broomfield, Joan Churchill, Kim Longinotto, Molly Dineen, and Sean McAllister to name only a handful? Answer: They were all set on their journey by the man who founded the National Film & Television School- Colin Young. This session explores Colin Young’s influence on this inspirational generation of filmmakers. What will he do to inspire the next? Messrs Churchill, Dineen, Longinotto, McAllister and Broomfield will encourage The Great Motivator to reveal his secrets. What manifesto would he propose to young filmmakers now?
Children at RiskNov 28, 2014 57:34
In BBC2s Bafta- nominated series Protecting Our Children, unprecedented access took the viewer to the heart of the issues facing Britain’s social workers. But it also presented enormous challenges to the programme makers, as well as unusually at-risk contributors. So how did they do it, and what were the pitfalls along the way? Brian Woods, who has himself produced several award-winning films around vulnerable children, talks to the series producer Sacha Mirzoeff as well as contributor and social worker Ben Crang , and director of photography Petra Graf.
Think Outside the Box Office: Artistic Entrepreneurship for Documentary FilmmakersNov 21, 2014 01:04:17
Want to know how to engage with audiences and create a sustainable career with new distribution and marketing possibilities? Come to this workshop and take a leap into the core principles of a new system of artistic entrepreneurship for filmmakers. Discover principles of audience identification, engagement, and asset creation, learn about integrating audience engagement into the filmmaking process, and be empowered to embark on a re-configuration of film products – events, merchandise, digital and interactive/immersive, all geared toward maximizing your goals as a filmmaker.
Morgan Spurlock: The Greatest Masterclass Ever SoldNov 14, 2014 39:19
This masterclass offers the exciting opportunity to hear from the Academy Award-nominated documentary director, Morgan Spurlock, who made the international hit film Super Size Me (2004). Spurlock is here fresh off the release of his latest feature, The Greatest Movie Ever Sold (2011), about the practice of product placement in mainstream Hollywood cinema today. Listen to the voice of one of the most successful documentary filmmakers of the last decade as he talks about his successes, his failures, and what it takes to make it in the documentary world.
New Sounds in Radio DocumentaryNov 7, 2014 43:46
A great radio documentary burrows into the mind of the listener, conjuring a new reality between their ears to focus, challenge, or even distort their perception of the wider world. Jeremy Hardy and a panel of key figures from the world of radio documentary take a journey through the vibrant landscape of audio storytelling.
Sue Perkins - My Life in TelevisionOct 31, 2014 39:50
Sue Perkins began her career writing for Radio 4 and French and Saunders, before presenting her own live daily show, Light Lunch on Channel 4 with double act partner, Mel Giedroyc. Since then, she has become one of the most well known and loved faces of British Factual TV, with her wry humour being key to the success of The Great British Bake Off. She has been part of many immersive TV shows including the Supersizers series with Giles Coren, where she ate (and drank) her way through 5000 years of British history whilst wearing an extremely tight corset. Sue regularly presents the BBCs coverage of the Edinburgh festival and has fronted numerous documentaries, including The Art on Your Wall, The Books we Read, Mrs Dickens and The Real Von Trapps. She appeared in Maestro, conducting a concert orchestra, has driven the Dalton Highway and The Ho Chi Minh trail in The World's Most Dangerous Roads, and is a regular face on BBC programming. Sue has just finished filming a six month epic adventure up the Mekong river, which will be broadcast on BBC2 in the summer. Sue will take us through her career in documentary, comedy and factual TV, including the secrets of why Bake Off has been such a cultural phenomenon.
A. A. Gill in Conversation with Nick FraserOct 17, 2014 35:57
Adrian Anthony Gill is a columnist currently employed by of The Sunday Times and Vanity Fair. Abbreviating his name to A.A. Gill, he has garnered a reputation as one of the nation’s most salient satirists, but often at the cost of dividing opinion. By writing on issues such as race, sexuality and geopolitics, feeling on his pieces is almost antonymous – loved and hated; harmonious and disagreeable; sought after and avoided. In this interview, Gill is in conversation with Nick Fraser – editor of the hugely successful Storyville – and discusses the documentary form with his trademark candor and frankness.
Occupy Wall Street: Live Stream This!Oct 10, 2014 38:13
Tim Pool became an overnight online phenomenon the night Occupy Wall Street was first evicted from Zuccotti Park in New York City. His live stream marathon drew more than 20,000 simultaneous viewers and 250,000 unique visitors throughout the course of the day. Pool uses a smart phone with a taped sign reading "livestream" – and streams unfiltered, unedited footage. He invites the viewing public to join in by directly asking questions, which he responds to while reporting live. Tim discusses his experience as one of the most popular livestreamers in the world
Brilliant Creatures: The Rebels of Oz with Germaine GreerSep 26, 2014 31:09
Brilliant Creatures: The Rebels of Oz with Germaine Greer
In the new BBC FOUR series produced in conjunction with Australia's ABC, 'Brilliant Creatures', Howard Jacobson charts the story of how, in the 1960's, four intellectual powerhouses
Germaine Greer, Clive James, Barrie Humphries and Robert Hughes - emerged from down under and took the world by storm. After this screening of the first episode, Germaine Greer, in conversation with Howard Jacobson, recounts her own part in the tale, and her extraordinary career since.
Melvyn Bragg and Arts on TelevisionSep 12, 2014 01:01:43
Description:Award-winning broadcaster Melvyn Bragg gives his take on the role of the arts on television, and shows us some clips of his favourite television moments of all time.
BAFTA: Making of Frozen PlanetSep 5, 2014 45:21
Join BAFTA to hear from the team behind the extraordinary Frozen Planet, BBC 1’s natural history epic. Taking viewers on a captivating journey to one of the most remote parts of the world and nominated for five British Academy Television Craft Awards in 2012, Frozen Planet used cutting edge technology to capture planet’s harshest terrain, bringing to life the ultimate portrait of Earth’s polar regions.
Filmmakers Dan Rees, (Producer/Director “The Last Frontier” and “On Thin Ice”, Cameraman Doug Allen and Elizabeth White (Assistant Producer/Director) will deliver this behind the scenes session on the making of Frozen Planet.